Tuesday, May 25, 2010
Recommended Film Editing Books
great time to go out and film the best short movies...
Get back home, edit them and while we wait for rendering....
Why not get a good book and read from the best???
What do you think of these books? Any other you think are really worth it? please share!
Tuesday, May 18, 2010
Riviera Maya Underground Film Festival
Friday, May 14, 2010
Cameras at NAB 2010
By Charlie Wade @ videoediting.digitalmedianet.com
Missed NAB 2010 this year? Lots of people did but I know you still want to know what was hot. For you who live for camcorder technology, here are six of the hottest cameras (or camera announcements in some cases) at NAB 2010.
Read reviews on Panasonic, JVC, Sony, Arri Alexa, Canon, RED,
here
Monday, May 10, 2010
editing on iPhone
Professional video editing app for the iPhone
Thursday, May 6, 2010
iPhone HD?
New iPhone could include HD video
Developers’ kit reveals that the new iPhone has the option to record 720p HD video.
Steve Carell stays in L.A.
CALIFORNIA TAX INCENTIVE KEEPS CARELL MOVIE IN L.A.
May 5, 2010 by StudioBriefing.net
The New Premiere Pro, Worth it?
By Antony Bolante @ MacWorld
When Premiere Pro debuted on the Mac as part of Adobe CS3, it was as though Adobe took the license plate off that old moped in the garage and put it on a hot new motorcycle. With Premiere Pro CS4 ( Macworld rated 4 out of 5 mice ), Adobe continued to retool the program and retrofitted the Mac version to more closely match the Windows package. The latest version of Adobe's professional video editing program doesn't look much different at first glance. But taking it for a spin reveals that most of the work went into the engine.
Premiere Pro CS5 sports the Mercury Playback Engine, a software mechanism that improves the program's performance--especially when paired with a qualified GPU. And like some other programs in CS5, Premiere Pro has become a native 64-bit application, shattering the RAM limitation imposed by 32-bit programs. Other features include expanded tapeless format support, scalable playback resolution, the Ultra chromakey effect, better still frame export, and the ability to export directly from Premiere Pro. But apart from enhanced performance and stability, the most notable new feature is how Premiere Pro CS5 fits into a workflow that integrates new software and services.
Wednesday, May 5, 2010
George Lucas on building a 3,000 USD studio
NYFA Student Omri Bezalel Interviews George Lucas
May 5th, 2010 Posted in News, Student & Alumni Activity
Tuesday, May 4, 2010
Frost & Sullivan: Nonlinear Editing Solutions in Demand, but Price Fall Reins in Market Growth
MOUNTAIN VIEW, Calif., May 3 /PRNewswire/ -- Driven by the increased adoption of digital products for video creation across markets, there is an increased availability of enhanced, feature-rich, nonlinear editing solutions at highly competitive prices.
(Logo: http://www.newscom.com/cgi-bin/prnh/20081117/FSLOGO)
New analysis from Frost & Sullivan (http://www.digitalmedia.frost.com), World Video Nonlinear Editing Market, finds that the market earned revenues of over $630 million in 2009 and estimates this to exceed $1.0 billion by 2016.
If you are interested in more information on this study, please send an e-mail to Jake Wengroff, Corporate Communications, atjake.wengroff@frost.com, with your full name, company name, title, telephone number, company e-mail address, company website, city, state and country.
"Software-based nonlinear editing products are quickly making the leap from nice-to-have to need-to-have competitive professional products for both high-end and low-end video segments," says Frost & Sullivan Global Industry Manager for Digital Media, Vidya Subramanian Nath. "The availability of highly competitive, economical, off-the-shelf products has ensured an increase in millions of professional users for nonlinear editing software."
While the price advantage has ensured mass penetration of these products, on the flip side, the low price points have had a telling effect on the market's revenue growth.
These products are available for as low as $800 and can be built on a complementary system for $5,000, which is typically one-fourth the price of higher-end systems. The economic downturn only compounds the pressure on revenue growth and narrows the market further for competitors.
To address these challenges, vendors will have to absorb the impact of drivers, such as open-source solutions, digitization, file-based and networked workflows, and high-definition video in the media market, and create competitive innovative products that are convenient for a versatile creative professional.
"The growing avenues for video across multiple media are driving all vendors in the nonlinear editing market out of their respective niches and pushing them to launch competitive products for all segments, including independent professional videographers," cautions Nath. "This will help them shield themselves from tremendous attrition and ensure brand penetration over the long term."
World Video Nonlinear Editing Market is part of the Digital Media Growth Partnership Services program, which also includes research in the following markets: World Disk Storage for Digital Media Market, World Broadcast and DTT Video Encoders Market, World Pay-TV Video Encoders Market, World Enterprise, Broadband and Mobile Video Transcoders Market, Digital Asset Management Market, World Video Switchers Market, Content Protection and Digital Rights Management, and World Video Servers Market. All research services included in subscriptions provide detailed market opportunities and industry trends that have been evaluated following extensive interviews with market participants.
About Frost & Sullivan
Frost & Sullivan, the Growth Partnership Company, enables clients to accelerate growth and achieve best-in-class positions in growth, innovation and leadership. The company's Growth Partnership Service provides the CEO and the CEO's Growth Team with disciplined research and best-practice models to drive the generation, evaluation, and implementation of powerful growth strategies. Frost & Sullivan leverages over 45 years of experience in partnering with Global 1000 companies, emerging businesses and the investment community from 40 offices on six continents. To join our Growth Partnership, please visit http://www.frost.com.
World Video Nonlinear Editing Market N715
Contact: Jake Wengroff Corporate Communications - North America P: 210. 247.3806 F: 210.348.1003 E: jake.wengroff@frost.com http://www.frost.com
SOURCE Frost & Sullivan
Source: PR Newswire
Monday, May 3, 2010
What Does a Film Editor Do?
Job Description of a Film Editor
by Diane Dannenfeldt @ HowStuffWorks

© Andy Sotiriou/Photodisc/Getty Images
A film editor combines hours of film footage together to make a movie.
- Read the shooting script and meet with the director to understand his vision for the film.
- Make visits to the locations during filming to gain a sense of how the shooting is progressing.
- Go through footage, once shooting is done, and select scenes based on their dramatic and entertainment value and contribution to story continuity. The editor is looking for the best combination of photography, performance, consistency and timing.
- Trim the segments of footage to the lengths needed for the film and assemble them into the best sequence to tell the story.
- Work with sound effects editors, sound editors and musical directors on sound, score and film sequences that will be added to the film.
- Insert music, dialogue and sound effects, using editing equipment.
- Review the edited film, make corrections and prepare it as a first cut, or rough cut, for themovie director and movie producers to view. The first cut may take up to three months to assemble.
- Make revisions, as requested by the director and producers, and prepare the final cut for release to the film house for production. The final cut may take an additional month to finish
Sunday, May 2, 2010
Looking for Film Crew
Assistant Director
Director of Photography
Sound
If you HAVE YOUR OWN EQUIPMENT, please send a resume to engelcm@yahoo.com I work close to ABC Disney, this is for a short film themed about Family.
We will be shooting two days at the end of May. Loation will be in Studio City, CA 91602.
NOTE: This is not a student project
Thank you and good luck!
Posted at Studentfilms.com Forum
Killer Film Fest, a non-profit organization, supports the love of the indie horror film genre. In its 2nd year, Killer Film Fest introduces Killer Film Challenge, a 3-day film race to write, shoot and edit a short horror film.
Killer Film Fest 2010 will be held in Providence, RI and as the fest grows, it is likely to expand into different major cities throughout New England making Killer Film Fest a regional New England annual film festival.
Avid to Final Cut Pro?
Edit Fest
Video Résumés
Use of video résumés is on the upswing
By Laura Casey for Mercury News
For a sales associate job opening at Orbit Baby, the maker of strollers, car seats and toddler accessories in Newark, president and co-founder Joseph Hei wants something from applicants no one else on Craigslist is requesting: a video résumé.
The reason: Orbit Baby needs someone who is confident, outgoing and, perhaps most important, technology-savvy. Hei says a traditional Microsoft Word document wouldn't necessarily show him the skills he's looking for. The person hired will have to be comfortable leading demonstrations in groups and using video communication programs like Skype to talk with clients.
Hei explains, "There are two broader objectives here: First, are you comfortable enough with media and technology to be able to meet these requirements; and ... can you upload a five-minute video? ... We want to see if people are relatively comfortable with the way things work these days."
The company has received responses from applicants living as far away as Africa.
Around the workplace, a variety of employers say they are seeing more video résumés from job candidates, and in academia, an increasing number of institutions are accepting video résumés with applications for admission.
Among the latter is Pitzer College, a private liberal arts school in Claremont. Admissions director Angel Pérez says the videos they've received are "fascinating to watch. One of the reasons we think this is a good idea for us is we are a bit of a niche school. We want to make sure we are admitting the right students, and fit is really important to us. One of the things the videos have done is allow us to put a face to the name and a personality to the application. We will actually pull up the video in front of the admission committee and let it play."
Video technology has come into wider use partly because cameras are inexpensive, with some costing less than $100, and video editing software is standard on many computers, says University of San Francisco professor Ryan Wright, who teaches classes in technology management and strategy. He predicts a video component will become more common for hiring in years to come.
Video résumés give potential employers "a greater degree of understanding of the person ... (including) how they speak, how they tell a story," Wright adds.
He required students in his Internet Business Applications class to create such a résumé. Christian Hernandez, a senior, chose to highlight his travel experiences and sports prowess.
"It's a pretty neat experience, because we were basically doing it to see how easy it is to upload a video and embed it into our Web sites," Hernandez says. "A video résumé can show you a person is more creative, and it can give you a better insight on the person."
Though Hernandez was making his résumé just for the practice, Edwina DiSilvestre of San Jose created one at the San Jose Silicon Valley Chamber of Commerce to attract customers to her business as a personal assistant, named 28 in 24.
She was coached during the process by SanJose Stock.com founder Kymberli Brady. The result was a commercial-like video recorded in front of a photo backdrop highlighting DiSilvestre's skills, including writing personal notes for busy businesspeople.
"A video gives another view or picture of my business, which is really a presentation of my personality," DiSilvestre says. "It will give potential employers a sense of who I am."
SanJoseStock.com's Brady says she jumped into the video résumé business after losing her job as a videographer for the San Jose Chamber of Commerce. She says, "If you do a bad one, it can knock you off the potential list for a job, and if you do a good one, it can put you at the top of that list." Her company offers video résumé services starting at $100.
There are also video résumés online from which job seekers can learn, whether it's what to do or what not to do. Some people use goofy graphics or make hyperbolic claims about their skills.
San Francisco resident Dina Boyer, a video professional, avoids such pitfalls. In her simple, self-made, one-minute video on YouTube, she shares her skills.
"My video résumé has gotten me work," Boyer says, "nothing permanent — just a few music video and photography gigs. I don't think video résumés are appropriate for all careers, but I believe it was very necessary for me. I am a broadcaster, videographer and photographer, and showing the work on video is proof of my accomplishments and automatically gives me more credibility."
